188 Plus Stages of the Hero's Journey (Monomyth, Screenwriting) - Purpose of Allies

The 188 phase Hero's Journey (Monomyth) is the templet upon which the huge bulk of successful narratives and Film Industry blockbusters are based upon. In fact, ALL of the 100s of Film Industry movies we have got deconstructed (see uniform resource locator below) are based on this 188+ phase template.

Understanding this templet is a precedence for narrative or screenwriters. This is the templet you must get the hang if you are to win in the craft.

[The nomenclature is most often metaphorical and uses to all successful narratives and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hallway (1977) to Godhead of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE 188 phase HERO'S JOURNEY:

a) Attempts to tap into unconscious outlooks the audience have regarding what a narrative is and how it should be told.

b) Gives the author more structural elements than simply three or four acts, secret plan points, mid point and so on.

c) Gives you a tangible procedure for edifice and releasing disagreement (establishing and achieving catharses, of which there are usually four).

d) Tells you what to write. For example, at a certain phase of the story, the focusing should be on the Call to Adventure and the micro elements within.

ABRIDGED TIPS, excerpts AND EXAMPLES:

(simply travel to http://www.heros-journey.info/ for full details)

*****Willing Oregon Unwilling Hero*****

Some indicant of the Hero's willingness (Willing Hero) or unwillingness (Unwilling Hero) is made explicit. In Bonnie and Clyde (1967), Bonnie runs out to ran into Clyde.

*****The Purpose of Allies*****

Allies exist, not because the Hero necessitates friends, but to function peculiar narrative functions, the most of import of which is to assist develop the Hero and assist him (or her) through the Transformation:

Reflect the Hero's Character. In Casablanca (1942), Ferrari offers Surface-To-Air Missile a wage rise to go forth Rick's Bar. He refuses.

Demonstrate that the Hero is superior from Ordinary Men. In Butch Cassidy and the Sundance Child (1969), Sundance is a loveably awful fictional character yet is loyal to Butch.